The Metro 2033 series continues, as Ukrainian developer 4A Games brave the horrors of actual war in order to tell a very serious story of human greed and folly.
There’s a characteristically Slavic sense of gloom that runs through Dmitry Glukhovsky’s Metro books. Even by the standards of post-apocalyptic fiction, which naturally gravitates towards a certain grimness, it stands out for its bleak humour and sense that humanity’s self-destructive foibles will always accompany us, wherever we happen to be. In Metro’s case, that was Moscow’s underground train tunnels, where survivors seek shelter after World War 3 turns the surface into a mutant infested, irradiated wasteland.
Underground, things are only slightly...


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