From where I was sitting, it certainly looked like it. We were in a dark soundstage on the Warner Bros. lot in Burbank on a Thursday afternoon at the end of April, as Levinson edited the final episode of the third season of Euphoria. A production crew of young men dressed in varying shades of hipster affectation were making last-minute sound tweaks and applying finishing special effects to the 90-minute episode.
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English (US)